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Book Review: Object 10
Nov 26, 2013 posted by: b
Book Review: Mint Corral 2
Nov 19, 2013 posted by: b
Book Review: Kim Jung Gi Sketch Collection 2013
Nov 12, 2013 posted by: b
I have never met Kim Jung Gi but I think he is a bad ass. Having put out 3 dictionaries, I mean bricks, I mean sketch monograph books, within 6 years, the man is a drawing machine. Seriously, I see fully inked murals in my facebook feed by him, what seems like, twice a day. Besides teaching art classes and drawing comics, he is also a full time father. I imagine instead of reading to his kids he draws them narratives till they get drowsy at which point he saves the drawings for his next sketch collection book. I am joking of course but maybe this is not a bad idea for some fathers out there.
One of the amazing things about him is his willingness to share and the transparency of himself in his work. This brings me to mention a 1000 page book called RAKUGAKING by Katsuya Terada released in 2002. Up untill the release of that book it was as if artists were afraid to show their sketchbooks, and be open with ideas so raw that it bled from the page. What am I talking about? It was a book filled to the brim with nearly all unfinished work. It was the purest form of the artist at play I had ever seen. It felt almost forbidden, as taboo as peeking into someone's sketchbook without asking them. Surely we weren't meant to see such perversions, dementia, and master pieces in this form. Kim Jung Gi, as well as many others, were inspired by this audacious form of self promotion and validation. So a few years later in 2007 he published his own visual memoir, a thick, dense, perfect bound compilation also brimming with sketches in his own unique style, draftsmanship, figure invention, and his signature muralesque panoramas drawn in a skewed 4 point perspective.
It appears that Terada's message had gotten through to someone: "Draw like mad, all the time, non-stop." Kim Jung Gi's latest book "Sketch Collection 2013" is his 3rd self publication. If you observe closely you can actually see his progression and improvement from his previous books. His lines are more elegant, minimal and confident, his early work a slight more stiff and less expressive, but still technically amazing. Kim Jung Gi is an artist who has overcome a self imposed stigma "Never show less than perfect work" He is not afraid to expose himself for our benefit and by trying to confront his fear, it has lead him to create better work because the fear of making a bad drawing is as prevalent as before. These books makes incarnate what every professional has said to a young aspiring artist when asked for advice..."Just keep drawing." All Kim Jung Gi books come wrapped in a foil package and includes a signed poster! Here are his first two equally amazing books:
Book Review: Aron Wisenfeld
Nov 06, 2013 posted by: b
ARON WISENFELD ARCADIA CATALOGS
Aron's images are haunting and even at their small print and shelf friendly ratio, they exude awe and beauty. I feel qualified to say this because I have had the pleasure to see his work up close several years ago and It is difficult to describe what it is about Aron's paintings that are so engaging. Often solitary figures in austere and overcast backgrounds, all his paintings have mood. There is strong atmosphere and a sense of air to all the work, they are scenes you can step into. They contain the heaviness of a baroque painting, the elegant sensibility of a classic children's book and all seemingly a part of a greater narrative. The subjects seem all exist in some indistinct time in the 20th century. I can't quite point out what it is but his paintings feel distinctly American and is reminicent of artists like Edward Hopper, Charles Sheeler, and Grant Wood and all seemingly from a greater narrative. It is difficult to gauge how much photo reference if any that Aron uses but whatever the case, he has a strong grasp of the form and subject matter, as is illustrated by his well thought out preliminary drawings which he creates out of charcoal and graphite and are masterpieces in themselves.
However one dissects Aron's work, it is apparent that he is a modern master. These 3 catalogs each represent a different solo exhibition at Arcadia Gallery in New York and illustrates some of the key pieces from nearly a decade of work and although we do not often carry exhibition catalogs, these 3 mini books/pamphlets are currently the closest things to a collection of published work by Mr. Wisenfeld. Short of purchasing an original or a limited edition etching by Aron, it would not be a bad idea to edit and frame the individual pages, and keep another set intact for safe keeping and collecting purposes. No that is not a sales pitch but merely a practical suggetion. Our Other BlogsNew Photos
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